Videofilms are to preserve the experience permanently. But nobody will be happy to watch the material. Who would like to see the grandmother’s birthday as a three-hour film? Cutting is called for. But to save yourself a lot of time and work, you should take a few tips, which we have put together here.
Step 1: Good preparation is the A and O
Those who are well prepared have almost won. After all, only those who know exactly what they want to film in the run-up will have the recordings for an interesting videofilm "in the box."
Step 2: Tips for better recordings
For example, if you want to film a birthday or a wedding, find out about the filming locations, their lighting and sound conditions. Make trials to find the right settings and panes. Experiment with it! Perhaps one of the sample recordings can later be used as fillers.
Tip 1: Use zoom and pan sparingly
Create a flowchart to help you know exactly when something happens and where you are right with your camera. The so-called storyboard is a great help. Enter the settings that you have determined during the test recording, write down the ideal location, the light conditions and everything about the scene.
Tip 2: Using a tripod
With a few simple tricks it is possible to make his film more exciting. In most cases is simply filmed without drauflos. Mistakes are then inevitable. Take a little time and think about the recordings. We give you tips for better video films.
Not only beginners, but also advanced videofilms tend to zoom much too often and swing. Zoom is an unnatural experience. For this reason you should only use it very sparingly. Of course, this tool can be used to emphasize the corresponding image excerpts - for example, to "compose" a part of a landscape ideally or to create a picture of a speaker from afar.
However, endless zoom journeys are rather disturbing and should therefore be avoided. When looking at the movies, it is noticeable that the zoom is not used here. Instead, the location of the camera in the room is changed by means of "camera driving", because it corresponds to a natural experience more like the "artificial" zoom
Practice: Six tips for successful 3D scenes
You should also use the camera hinge very sparingly. Nothing is more disturbing to your viewer than endless pans - for example, when you film a landscape. Instead, split the recording into several parts using different settings. This is much more interesting for your viewers than 270-degree pans through the room. In practice, it is important not to exceed a pivot range of 90 to 120 degrees.
In principle, if an object moves in front of the camera, the camera should not perform any additional movements. Exception: During the production of a transition, the moving object can be swung into a neutral image setting (or vice versa, a swing from a neutral image coming into a moving situation). An elegant transition is thus guaranteed for the later cut. Even with "dead objects" like a landscape, zoom and pan should be used very carefully and sparingly.
Despite the modern camera mechanisms that can regulate blurred pictures, your movies get a professional touch when you use a tripod. Limit the use of a "hand-held camera" to the most necessary: in situations where you need a lot of mobility at the location or simply has no place. Even if you want to capture short statements from politicians, managers or "celebrities" with the camera (almost in the past).
If the hand-held camera is used, try to find additional support by local conditions. To support yourself or the camera on a rail, a tree or a wall provides for more picture quality and more quality.
Good tripods cost 600 euros and more. The heart of a tripod is the so-called Videoneiger, which accounts for 80 to 90 percent of the price. From a price class of 800 Euro to 1.000 Euro, the Videoneiger have very good sliding properties, which allow professional work.
Tip 3: Schedule transfers
Buying advice: The best 3D camcorders
Tripods with integrated remote control are recommended. Zoom and sharpness can be operated from the lever. The advantage is that you no longer have to hand over to the camera and avoid small camera shake. If you do not have a big budget for it, use an amateur stand. Rather a cheap tripod than none. In essence, there is only one thing: the picture.
Tip 4: The appropriate settings
Panning and zooming should be limited. In the professional film, the hand camera is screwed onto a steadycam. The camera is stabilized by spring suspension and above all a counterweight. The difference is dramatic. As a replacement for the original version, you can find a useful self-build guide on the site steadycam.org
In the later cutting often handicraft errors appear from the day of the shooting. Here are a few tips on how to make the work easier. Allow sufficient "meat" for each shot. If you are filming a landscape, let the recording stand still for 30 seconds. If you are planning a camera movement, leave the recording at least ten seconds at the beginning and at the end of the zoom or pan. This allows you to capture multiple settings from a recording that you can use. Even if the camera movement fails, the material is still usable.
Remember to create content transitions. For example, set up each recording for a report. Bring the viewer to the action, for example, through an introductory panning. Professional camera men provide each of their recordings with a brief introduction and conclusion. These transitions can then be used for cross-cutting purposes. For this purpose, a camera movement (pan / zoom) is useful, which should otherwise be avoided.
Tip 5: Let's light
Tip 6: Avoid axis jumps
Tip 7: Film with two cameras
Tip 8: The sound makes the music
Tip 9: Avoid movie effects
The following setting options should be used when shooting
A good day for an outside turn is a cloudy or overcast day. The reason: It is then all beautifully evenly "illuminated". When shooting people in nature, a sun reflector that illuminates the faces uniformly proves useful.
In general, more targeted, for example lateral incidence of light (morning or evening) is better than bright light (at noon), since objects and faces are more clearly contoured and recognizable. Flash light should also be avoided because videos are much more sensitive to over-exposure than classic films. The interior is more complex. In order to illuminate people who are at a short distance in front of the camera, it is often sufficient to have a connection.
When it comes to illuminating entire rooms or stages, you should use strong spotlights with a diffuser. The aim is to create as uniform an illumination as possible without shadow on the face or behind the actors. Plan a lot of time to illuminate.
One of the most important rules in the film is to avoid axis shifts. An example: Camera 1 is positioned on the playing field edge of a football match. The game direction of our team in the screen is from right to left. If a second camera is placed on the opposite side of the playing field, our team will play from left to right.
If you now cut between the two positions, the game will change back and forth. This creates a typical axis jump, which creates confusion for the viewer. The camera or setting locations should always be along a 180-degree radius of your action. This is to avoid the feared axis jump.
Large parties such as weddings or birthdays can be filmed with two cameras. Thus different perspectives of the same scene can be shown later in the intersection, as in the case of speeches.
Here the sound is immensely important. Use an external microphone and place it so that it is not seen by the camera. If you do not have an additional microphone, place a camera as close as possible to the speaker. The second is then removed, sometimes also offset to the left or right. In the later editing, you will only use the sound from the camera that was closest to the event, and the best way to capture it.
Buying advice: Three camcorders in the test
To cut the whole thing out of sync, you can use a trick that the professionals use: the film flap. Thanks to the movement and the folding sound, the scenes of the two cameras can be arranged more easily synchronously in the editing program. If you do not have a film flap, put yourself in the room so that you are caught by both cameras. Start the recording on both camcorders, place yourself in the chosen place and clap your hands with a large theatrical gesture.
Also make sure that both cameras are filmed with identical settings. If possible, no color and brightness differences between the images of the two cameras should be produced. These can be corrected later in the editing program, but this is time-consuming and requires experience and a feeling of a fingertip.
Unfortunately, in the list of priorities of many active video producers the sound plays only a subordinate role. Unjustly: Think about the sound of a waterfall, the calming rippling of a creek or the sound of a football stadium. Often, the camera microphone is sufficient for the so-called O-tone. There are exceptions, however, where you should use an external microphone. For an interview, use a good directional microphone, which is about 20 to 30 centimeters away from the speaker. Just so far away that the micro is not visible in the picture. If the distance between the speaker and the camera is too great, the use of a wireless microphone is recommended.
Practice: How it works in Ultra HD
The audience often perceives the sound unconsciously. They feel a disturbing reverb in the room or noise in the case of external traffic (such as traffic noise or wind) in interviews or dialogues, often as unprofessional.
Therefore, dedicate a great deal of time and care to the sound when shooting and editing. Avoid sound jumps and adjust the sound at the editing area to create a smooth sound.
Even if many camcorders allow you to use effects such as fade in or out while shooting, keep your fingers out. Instead, you can place fade-in and fade in the cut, and you still have the original shot without any effect, making it flexible for post-processing.
You can also create color effects or the like later on the cut, if desired. Because once a color effect is recorded with the camcorder, it can no longer be removed from the video clip. In this case you have to be very sure that you really want the effect.
If all your recordings are "in the box", you can preview the scenes. However, the camcorder monitor is only to a limited extent. Although you can see the clips, but sharpness, colors and contrast are difficult to judge. Connect your camcorder to a TV.
Place note and pen ready. Note the number of clips when watching the clips and for more information on the scene, such as "On the Beach: Pan from Left to Right". You can use the list to quickly copy the desired videos to your hard drive without having to look at the entire material again.
Step 3: Viewing material
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